Invisible Cities

看不見的城市

Photo by Hu Yifan

Dance theatre Invisible Cities is a poetic reinterpretation of Italian writer Italo Calvino’s novel Le città invisibili. Recasting Calvino’s storytelling on a retro sci-fi surrealist stage, a reflexive dance theatre journey unfolds between the future and the past of humankind. As the future of humans evolve into cyborgs, and as they immerse themselves in the cosmos of digital memories, where will their butterfly-mind traveling take them?

A boy of our time falls into the transformed world of Italian writer Italo Calvino's novel Le città invisibili, where the fictional dialogues between Marco Polo and Kublai Khan are reassembled in a futuristic setting. The boy becomes one of the cybernetic wanderers in the story, immersing in the cosmos of digital data and embarking on a “journey through memory.” In this “butterfly-mind” traveling, the “invisible cities” from the past, of memory and desire, of dream and the dead are recalled, danced, and waiting to be recreated. Reinterpreting Calvino’s novel with a retro sci-fi surrealist edge, this dance theatre transports the audience into a reflexive journey about the future and the past of humankind, in the name of cities.

Commissioned by Shanghai International Dance Center Theatre

with support from Theatre Above

2023 Premier at Shanghai International Dance Center

2024 Upgraded edition with the special support by the Consulate General of Italy in Shanghai and Institute of Italian Culture in Shanghai, for the commemoration of the 700th anniversary of Marco Polo’s death

2025 Invited by the committee of “Il Teatro Nudo” prize selection to perform at Spazio Teatro No’hma in Milano, Italy

2025 Invited performance at Wuzhen Theatre Festival, China

Using the body to write literary classic, guiding the audience towards a poetic journey.
— Li Li-Heng, senior performing arts writer
The choreography brought forth sculptural moments born from the inverse of gravitational forces, and where the dancers, in complete trust, tossed and caught each other. The soundtrack by the German musician delivered a blend of electronic beats reminiscent of Berlin nightclubs, nostalgic waltzes from a bygone era, utopia and heterotopia or the Peach Blossom Spring, and the juxtaposition of the perfect human body and cyborgs. Onstage, the dancers roamed, paused, and ran off on their own, while we, the audience, in our seats, had long become like reflections in a lake, lost within.
— Kaimei Olsson Wang, senior art critic and curator & Director of HOW Museum, Shanghai
It was a sincere and profound enjoyment. Dance is like thought with only one pair of wings: imagination!
— Francesco D'Arelli, Director of the Italian Cultural Institute, Consulate General of Italy in Shanghai

Artistic Concept and Direction: Jess Chiayi Seetoo

Music Composition and Sound Design: Johann Niegl

Multimedia Design: Ethan Wang

Stage Design: Ao Li

Lighting Design: Chien-Hsiung Cheng

Selected text from Italo Calvino’s novel Le città invisibili and its Chinese translation by Zhang Mi, and original text by Jess Chiayi Seetoo

Dancers and Choreographic Collaboration: Chen Shanshan, Peng Chunlan, Qu Yang, Wu Yuetao, Zheng Lingmin

Actors: Alessandro Martini, Zhang Xuechen

Dancers involved in different editions: Li Pianpian, Huang Yanlin, Tang Chen

Producers: Jess Chiayi Seetoo, Zhong Guan

Photo by Hu Yifan, Wang Li

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